La Revue du Cinema (1947)

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Clair tend à devenir «langage» ou «musique ». Dans les décors d'A nous la liberté! les ouvriers de la fabrique de disques sont habillés comme les détenus de la prison qui, de son côté, a l'aspect d'une usine moderne. Dans la tranquille fourmilière humaine de Clair, les personnages, issus de Labiche et typifiés La collection des figures de femmes entourées d'amour et de malheur de Josef von Sternberg (voir note page ï\o) serait incomplète si l'on n'y ajoutait celle que, d'après Gene Tierney alors débutante, il se plut à polir sous les lampes de la maison de plaisir de Shanghaï ( U . A ., \ ) . Costumes de Royer. A gauche, Ona Munson. ICI