La Revue du Cinema (1948)

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Marilyn S'asli perscnnifte dans Monsieur N'erdnux la jeune fille qu'épargne le gentleman-assassin. Elle est le prolongement — sentimental et logique ■ — de toutes les jeunes filles pauvres de tous les films de Chariot. Elle fait partie de cette touchante cohorte d' m firmes, d'aveugles, de de'she'rite'es qui constitue la « fleur bleue » de l'immense bouquet d'amertume que déploie Chaplin devant nous. Complexe sentimental ou amour des humbles, nous ne sommes pas étonnes de retrouver cette « fleur bleue » à la boutonnière de M. Verdoux qui demeure fidèle à la symbolique de Chariot. 21