The New Movie Album - January 1931 (January 1931)

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| made my stage debut at the age of six—reciting a poem for my grandmother, at the celebration of her “saint day.’ Soon after that my parents gave me a marionette theater, and | presented a public performance of my puppets in my own version of “The Merry Widow" (and didn't pay any royalties either). My chief diversion became the staging of new plays for my marionettes. | studied piano and singing, and hoped for an operatic career. In 1913 the Mexican revolution caused my father, Dr. Samienego, to move to Mexico City, where | entered college. The revolution finally forced me to come to Los Angeles to get any work | could and a year afterward my family followed me here. | did everything that came along; was bus boy in restaurants, extra in prologues in theaters, usher, etc., etc. Then Marion Morgan engaged me as a member of her ballet troupe, touring the Orpheum. Upon my return to Los Angeles | besieged motion picture casting offices with no results, until finally | got my first screen réle in “Omar Khayyam," released under the title of "The Lover's Oath." In 1922 Rex Ingram cast me in The Prisoner of Zenda,’ and my hard times were over. | have kept up my musical studies and will continue to do so. ies ) poh Ps oA rae Mavetsc a ) oT NS eT x is. ee Till eet) fa