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EPIGRAMS OF THE PHOTOPLAY 249
"Money Made in Writing for the Movies," Dale Carnagey, American,
June, 1916.
POETRY " Christopher Marlows," Original Manuscript of Algernon Swinburne,
North American Review, May, 1916. "The Poetry of a Priest — Father John Bannister Tabb," John B.
Kelly, Catholic World, May, 1916. "Prohibitory Advice to Critics," Mrs. Alice Corbin Henderson,
Current Opinion, May, 1916. "The New Poetry Versus the Old," Francis B. Gummere, New York
Evening Post Magazine, April 22, 1916.
JOURNALISM "A Captain of Comic Industry,"— "Bud" Fisher, John N. Wheeler,
American, May, 1916. "Portrait and Short Sketch of Irwin S. Cobb," American, May, 1916. "Indicting the New York Magazines," Literary Digest, May 6, 1916. "How Davis Did It," Literary Digest, April 29, 1916. "Getting Best Service from Correspondents," Editor and Publisher,
April 15, 1916. " Retrospects of an English Journalist," Percy Bicknell, Dial, April 13,
1916.
GENERAL ARTICLES "Alexander Wilson Drake — Forty-three years Art Director of the
Century," Clarence Clough Buel, Century, May, 1916. "What is Education?" Professor Ernest C. Moore, Education,
May, 1916. "The Mind of a Child," H. Addington Bruce, Century, May, 1916. "The London of Shakespeare," Elizabeth Clendenning Ring, Book
News Monthly, April, 1916.
Epigrams of the Photoplay
By S. Raymond Jocelyn
The Theme is the basic idea or hub of the dramatic incidents.
The Title specializes the theme of the play; it is the cap screwed to the hub.
The Cast interprets the nature of the wheel of incidents or the story evolved.
The Synopsis sketches the play of the cast; it turns the wheel on its axis of probability or impossibility.
The Plot explains the synopsis and develops it into units, which are expressed by paragraphs; it constitutes the spokes centralized in the hub of the dramatic wheel.
The Scenario arranges the plot into scenes, leaders and inserts; it individualizes the wheel by emphasizing good or poor workmanship.
The Picturization develops the scenario into action and photographs ; it is the whirl of the unset wheel.
The Film is the arrangement of the pictures into a connected story, the rim of the wheel; it is the wheel in place on its particular axis.